How to Create a Traditional Romanian Folk Inspired Pattern in Adobe Illustrator

Today’s tutorial is a little bit special, as I am going to show you how to build something based on a traditional hand-sewed Romanian decorative pattern.

The tutorial itself will rely on using the Rectangle Tool in collaboration with
the PixelPreview Mode in order to
create a personalized bookmark, that you later print anduse.

On History and Culture

Before we begin,
I want to tell you a little about the history of the artwork that we are going
to reproduce.

As a person of Romanian nationality, the early years of my life
have always been somehow drawn into what is considered traditional handmade
art.

My mother, who is a women’s clothing designer, has always been keen on using
elements inspired from different regions of the country.

My father, who was
born in a small village, had always wanted me to see how life twists and flows
differently in the countryside compared to the big cities, so in his quest he
showed me things that belonged to his part of the family: clothes, carpets and sandals
that were handmade and completely different from what you would wear today.

Even
though I wouldn’t have imagined myself wearing such items, I was always
intrigued by the intricate patterns that the older women would hand-sew into the fabrics that were worn by entire family members,
patterns that later became symbols for the different Romanianadministrativeregions.

From a historical point of view, archaeologists
have found pieces of such decorative art dating from over 6,000 years ago,
casting light on what is now considered an important part of the life,
mentality, and beliefs of the people that lived during that period.

Through these lines, Romanians have crafted an art that has been transformed today
into an important touristic element, with thousands of people from all over the
world passing through the hallways of Dimitrie Gusti’s National Village Museum in
order to have a glimpse of its beauty.

The pattern that
I have selected to recreate comes from the county of Muscel, located in the Muntenia Region, and was mostly used in the 19th century. The style that was used in that region was
based heavily on straight lines that form geometric motifs, and darker, cooler
colors (black, red, and later on purple and green).

It is worth mentioning that
depending on the age of the person that was intended to wear the cloth, the
patterns and colors were adapted so that this social indicator could be
reflected through them.Younger people
would have brighter colors, and less sophisticated patterns, while the elder would
wear darker, more complicated ones.

The segment I
took was slightly adapted by my own hand in order to give it a finishing
touch, as I felt that the pattern needed delimiting sections for both its top
and bottom sections.

Now I'll give a step by step process of recreating this pattern by using some basic
tools and functions in Adobe Illustrator.

1.Setting Up the
Document

Assuming you’ve already powered up Illustrator,
create a New Document (File > New)
with the following settings:

• Number of Artboards: 1
• Width:
  120 px (1.67 in)
• Height:
  600 px (8.33 in)
• Units: Pixels

And from the Advanced tab:

• Color Mode:
  CMYK
• Raster Effects:
  High (300 ppi)
• Align New Objects to
  Pixel Grid: checked

Wow, wait a
second. Did I just create a document intended to be printed and set the Units
to pixels? Yup, I did just that. Why, you may wonder? Well, because the pattern we
are going to build is based on square shapes, which are easier to position
once we take advantage of the Pixel
Preview mode. Also, I’ve already converted my Artboard’s dimensions from
inches to px, so don’t worry about sizing problems once printed.

2. Setting Up Our
Layers

Go to the Layers
panel and create two layers, naming them as follows:

1. name
2. pattern

3. Creating the
Pattern

Once we’ve set
up our document and layered it, we can start building the actual pattern.

Step 1

Position yourself on the pattern layer, making
sure to lock the other one, and create a 4
x 4 square which we will color red (#E94849). Using the Transform panel, select and then place
the object we’ve just created using these coordinates:

• X:
  60 px
• Y:
  524 px

Step 2

Enter Pixel Preview mode, by going to View > Pixel Preview (Alt-Control-Y), and then zoom in on our little square.

Now comes the tricky part. Because the
pattern itself is composed of a fairly large number of individual squares,
we will have to create a base row of these objects, which we will copy and
paste, positioning each duplicate row closer to the top. As we make our way up,
I will tell you exactly which squares you need to remove in order to get the
pattern right.

So select our original square, and create seven
copies to the left and another seven to the right, by dragging to the left or
right while holding down Alt. Once
you have all 15 objects, select them, and then copy them to the Clipboard
(Control-C).

Step 3

Before we create our second row, we need to get
rid of the third square from the left, and the third from the right, and the
seventh one from both sides. Simply select them and hit Delete.

Step 4

Create the second row by simply pasting (Control-V) and moving it on top of
the first one.

Step 5

Adjust the copy by removing the second and
fourth squares from each side, and the three in the middle.

Step 6

Create the third duplicate row by using the same
process of pasting from the Clipboard (Control-V), and then remove the third and fifth squares off each side.

Step 7

On row four, delete the fourth and six squares.

Step 8

For row five, we need to get rid of squares five
and seven.

Step 9

On row six, we need to delete square number two,
three and six from each side and the one in the middle.

Step 10

Once you have created the seventh row, delete
the third and seventh squares off both the left and right side.

Step 11

As you can see, our pattern is slowly but surely
taking shape, creating repeatable jumps in the positioning of our little
squares. Because at this point we have a larger section that we can use to
simplify our process, we will simply copy (Control-C) everything that we have created until this point, paste it in place (Control-F), and then flip the objects
horizontally (right click > Transform
> Reflect > Horizontal), making sure to move them on top of row number
seven (the last one we created).

Step 12

Once our first
large section of the pattern is created, we can group it (Control-G) and then duplicate it
by dragging while holding down Alt,
positioning the copy with just one row down (4 px) towards the original, so that the original’s top row goes
under the duplicate’s bottom row (I’ve marked the overlay using a red
semi-transparent rectangle).

We do this because the pattern’s middle
decoration are squares, which forces us to overlay the copies to get them right.

Step 13

Having created our bottom section of the
pattern, select and group its elements (Control-G) and then make a copy (Control-C > Control-F) and position it towards the top of our Artboard using
these coordinates:

Your illustration should look something like
this.

Step 14

Because the top part of our pattern is longer
than the one at the bottom, we need to repeat the same trick of duplicating
while holding down Alt, and then
press Control-D (repeat) once to create two more copies (I've
colored the copies in slightly darker shades so you can see them better).

You should now have something like this.

Step 15

Once we’ve
created the pattern, we need to add some finishing touches so that it will look
more attractive. The first thing we need to do is take care of the side stripe
patterns.

Using the Rectangle
Tool (M) create a smaller 2 x 2 px square,
color it using the same red tint (#E94849) and then position it to the bottom-left side of our lower pattern section, at a distance of 4 px.

Step 16

Create another 2 x 2 px square, and position it towards the top-right side of our
previously created shape.

Step 17

Create a slightly larger 4 x 2 px rectangle, aligning it to the bottom-left side of the
bottom smaller square using the Align panel.

Step 18

Adjust the
previously created shape by double clicking on it to enter Isolation Mode (right click > Isolate Selected Path), and using
the Direct Selection Tool (A) select
its right side anchor points, moving them upwards by 2 px.

If you turn off Pixel Preview you should have something like this.

Quick tip:
try to get used to going in and out (Alt-Control-Y) of Pixel Preview mode
as it helps you design with higher accuracy, as you can see exactly what space
your shapes occupy.

Step 19

Group the previously created three objects, and
then create a copy and position it towards the top section of the center larger
pattern.

Step 20

Select both the top and bottom elements, and
then create a blend between them to fill in the blank space by going to Object > Blend > Blend Options.
Here you will see a pop-up asking you what type of Blend you want to make. We need to set it to Specified Steps and enter 23
in the value input box.

Quick tip: If you’ve never worked with blends, you
should now that once you’ve set up the Blend
Options you need to go to the Object
> Blend menu one more time and
select Make in order for the blend
to take shape.

Step 21

Since the blend
is actually a line, we need to expand it by selecting and then going to Object > Expand and checking both Object and Fill in the pop-up box.

This step isn’t mandatory but more like a
personal preference, as I always prefer having all the elements set up as
objects.

Step 22

Copy the left side pattern to the right of our
center larger one and position it at the same distance of 2 px.

Step 23

Finish off the bottom section of our pattern by
adding two 4 x 100 px lines on each
side of the zigzag patterns, positioning them2 px from them.

Step 24

Copy the bottom element of the side zigzag
pattern and create two copies, which we will then align to the bottom and top
sides of the longer decoration.

Step 25

Select both the top and bottom objects and then
create another Blend, but this time
use 71 for the Specified Steps. Make the blend, expand it and then create a
duplicate and position it on the right side of the center pattern.

Step 26

Add two 4
x 292 px lines on each side so that our design keeps a sense of continuity.

Step 27

Seeing as our pattern is complete, we need to
add the top, mid and bottom sections to it. Enter Pixel Preview mode, and using the Rectangle Tool (M) create a 92
x 4 px object and position it towards the top of our pattern, at a distance
of 4 px using the Align panel.

Step 28

Add a slightly smaller 84 x 2 px object, and position it 2 px from the previous one.

Step 29

Create a diamond pattern by drawing eight smaller
4 x 4 px squares, which we will
rotate at a 45° angle (select > right click > Transform > Rotate > 45), and then group into a left and right section, positioning
the inner elements at a distance of 2 px
from one another. Add one larger 8 x
8 px square, rotate it the same way we did with the smaller ones, and then
center it both horizontally and vertically with the two groups. Select all nine
diamond shaped objects, and make sure to distance them at 2 px from the nearest line underneath them.

Quick tip: you might have noticed that once you enter Pixel Preview mode, the rotated objects
seem all fuzzy. That’s because their anchor points aren’t snapping to the pixel
grid any more due to the rotation process. To fix this, simply isolate them, and
using the Direct Selection Tool select
and move each anchor to its nearest grid intersection.

Step 30

Select the two bottom lines underneath the
diamond pattern, and copy them (Control-C)
and then paste them in place (Control-F). Make sure to move the duplicate towards the top of the diamond shapes,
reflecting them horizontally (right
click > Reflect > Horizontal). Once you’ve done this, select both the
top and bottom lines and the inner diamond pattern and group them all together
(Control-G).

Step 31

Create a copy of the previously grouped objects
(Control-C > Control-F) and
position it just under the bottom section pattern at a distance of 4 px.

Step 32

Move towards the middle section that stays between the two sections of our decorative pattern, and create two 92 x 2 px rectangles, positioning them4 px from the top and bottom
pattern sections.

Step 33

Add another two 92 x 4 px rectangles, and position each one2 px from the previously created ones.

Step 34

Using the Direct
Selection Tool (A),select and copy (Control-C) one of the larger diamond-shaped objects, aligning one copy to the
left and another to the right of the line segments we just created, making sure
to center them both horizontally and vertically.

At this point our illustration is almost done.
All we need to do is add the name (your own name) using our specially picked
font, and we’re good to go.

4. Adding a Custom Touch to Our Traditional Bookmark

As the project revolves around creating something personal that each of
you can use as a practical instrument, the last step of our process involves putting
your name onto the face of the bookmark. I’ve carefully picked a custom font
which you will need to download and install in order to finish this small
project.

The name of the font is ArhaicRegular and it can be downloaded from dafont.com.

Assuming you’ve managed to load the font onto your machine, unlock the name
layer, and using the Type Tool (T) click
anywhere to start writing. Type in your own name, and then change the font to
ArhaicRegular, setting the Font Size to
14 pt. Select the text and then
align it to the center using the Paragraph
top panel options, changing the color to #6B6B6B.

Lastly, position the text between the two line
groups (the ones with the diamond-shaped objects on each side).

Print!

That’s it! If you’ve followed the tutorial
step by step, you should now have a unique bookmark piece ready for printing. You've also learned something about the origins of thistraditionalRomanian decorative art, and the process involved in recreating it using
Adobe Illustrator.