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October 17, 2019 04:49 pm

Zombieland: Double Tap is a shambling, half-revived mess of a sequel




Photo: Columbia Pictures

Putting aside the monstrous thirst for flesh, a zombie is essentially halfway between a living human and a rotting corpse, animated but staggering around without much grace, a desiccation disguised as a person. Zombieland: Double Tap occupies a similar space in the world of sequels. As a decade-later follow-up to 2009’s irreverent horror-comedy Zombieland, it isn’t an entry in an active franchise. It’s more like an 1980s-style cheapie retread, disguised as a more respectable legacy sequel.


Given the endless (and mostly basic) references to both pop culture and the original Zombieland, it wouldn’t be out of character for Zombieland: Double Tap to lay out this sequel-as-zombie parallel itself. The script (by Dave Callaham, Rhett Reese, and...



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Original Link: https://www.theverge.com/2019/10/17/20919250/zombieland-double-tap-movie-review-jesse-eisenberg-woody-harrelson-emma-stone-abigail-breslin

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