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July 6, 2020 04:22 pm

The Stunning Second Life of 'Avatar: The Last Airbender'

A fifteen-year-old cartoon is an unlikely contender for most-watched show in America. And yet when "Avatar: The Last Airbender" arrived on Netflix, in May, it rose through the ranks to become the platform's No. 1 offering, and even now it remains a fixture in the Top Ten for the U.S. From a report: The series first ran from 2005 to 2008 on Nickelodeon, and swiftly made a name for itself as a politically resonant, emotionally sophisticated work -- one with a sprawling but meticulously plotted mythos that destined the show for cult-classic status. Last summer, after "Game of Thrones" flubbed its finale, fans and critics held up "Avatar" as a counterexample: a fantasy series that knew what it wanted to be from the beginning. Like all such stories, "Avatar" (created by Bryan Konietzko and Michael Dante DiMartino, and no relation to the James Cameron blockbuster) demands some exposition. In a world where nations are defined by their connection to one of the four elements -- water, earth, fire, and air -- maintaining the peace falls to the Avatar, the only person who can achieve mastery of them all. Just as the Fire Nation launches an attack, he vanishes. The series begins a century later, when a twelve-year-old boy named Aang is discovered and revived by a pair of Water Tribe teen-agers -- and the Fire Nation is well on its way to global conquest. The first two episodes are largely what you'd expect: world-building punctuated by moments of whimsy. In the third, Aang returns to the temple where he was born to find the aftermath of a genocide. He is, he discovers, both the Avatar and the last of the Air Nomads. Where earlier shows might have hinted at such an atrocity for adult viewers' benefit, "Avatar" is overt, taking seriously its young audience's capacity to confront the consequences of endless war. Moral ambiguity abounds, and people from all nations see the conflict as, variously, an opportunity or a tragedy; there are Earth Kingdom citizens who have become cynical or apathetic after generations of fighting, and those from the Fire Nation who are fully capable of doing good. Aang, like the monks who raised him, is a pacifist at heart, but the series makes it clear that his is not the only way of bringing balance to the world. On the eve of his confrontation with the Fire Lord, one of his past lives -- a warrior named Kyoshi, who has killed would-be conquerors before -- counsels that "only justice will bring peace."

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