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Edu-Toys Night 'n Day Mechanical GlobeElenco's Night 'n Day Mechanical Globe uses a system of translucent, exposed gears to rotate an internally illuminated globe that displays the seasonally adjusted, real-time night/day terminator as it spins.[Read More]

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Canadaland Guide to Canada (Published in America), by Jesse Brown and friendsBrown finds plenty of hilarious awfulness in Canada's past and present, especially in the way that Canadians talk about themselves when they expect Americans might be listening to them. From Justin Trudeau (who talks about refugees abandoned by Trump but takes no action to improve their lot, because he's too busy taking away the citizenship rights of naturalised Canadians with objectionable politics, greenlighting climate-destroying pipelines for the Tar Sands, and making the most of the sweeping surveillance powers he promised he'd abolish after taking office) to Rob Ford to Quebec separatism and the long, deplorable traditions of drunken, racist Canadian leaders who are remembered as wise, even-handed leaders, Brown punctures ever bubble that Canadians have ever blown over the border toward our American cousins.

I laughed aloud at many of these jokes, and they got under my skin, in just the same way that a perfect Samantha Bee rant will. This is a book of weaponised jokes about a country that has spent more than a century burnishing its credentials by blithely asserting its moral and temperamental superiority to its erratic and flamboyant southern neighbour -- and every shot hits its mark. [Read more]

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Briggs Land Volume 1: State of Grace, by Brian WoodStories matter: the recurring narrative of radical Islamic terror in America (a statistical outlier) makes it nearly impossible to avoid equating "terrorist" with "jihadi suicide bomber" -- but the real domestic terror threat is white people, the Dominionists, ethno-nationalists, white separatists, white supremacists and sovereign citizens who target (or infiltrate) cops and blow up buildings. That's what makes Brian Wood's first Briggs Land collection so timely: a gripping story of far-right terror that is empathic but never sympathetic.

Briggs Land builds on the empathic -- but not sympathetic -- portrayals of far-right separatists in Wood's seminal graphic novel DMZ. It's timely: the Trump era has been a moment of uneasy glory for white nationalists and their fellow travelers, who, having long craved the spotlight, aren't entirely sure what to do with it.

Briggs Land is also in development as an AMC TV series, further evidence of its zeitgeisty nature. Being a Brian Wood comic, it's also gripping as hell, a nonstop crime novel that involves rogue FBI agents, ruthless skinheads, closet racists and overt ones, doting parents who also happen to be unspeakable monsters. [Read More]

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Kindred (Graphic Novel), adapted from the novel by Octavia ButlerKindred is the story of Dana, an African-American writer married to a white man in 1976, who finds herself being violently yanked through time and space to the side of her distant ancestor, Rufus, the son of an enslaver who lives on a plantation in antebellum Delaware. Rufus -- a self-destructive, traumatized and spoiled child -- periodically puts himself in mortal danger, and when he does, Dana is torn from 1976 to save him, and is stranded in the violent, totalitarian south until she experiences mortal terror, whereupon she returns to her present, only moments after she left. Luckily for Dana, mortal terror is a commonplace occurance for black people in Delaware in the 19th century.

Dana's relationship to Rufus, and to Rufus's freeborn, African-American friend Alice -- whom Dana knows to be her ancestress -- is wrenching and claustrophobic, as she is enlisted to help Rufus sexually assault and eventually enslave Alice, revealing the deep violence lurking in Dana's own distant past.

For many years, Dana and her white husband, Kevin, are stranded in history, together and separately, and this affords Butler a chance to add yet more nuance to her tale, weaving in the point of view, privileges and horror of a white ally who, nevertheless, enjoys a measure of safety his black wife cannot claim.

The graphic novel adaptation is extremely faithful to the Butler novel, and does brilliant things with color-palettes, using different tones to demark the present and past, and also the belowstairs and abovestairs places in the lives of the enslaved people. The lines are vigorous and rough, conveying emotion and urgency.[Read More]

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THEFT: A History of Music, by James Boyle and Jennifer JenkinsTheft traces millennia of musical history, from Plato's injunction against mixing musical styles to the outrage provoked by the troubadours who appropriated sacred music and turned it into bawdy songs about wanting to have sex with hot teenagers (a trick Ray Charles repeated hundreds of years later!); from the racist outrage over rock and roll's challenge to white supremacy to the fights over sampling and the exploitation of African-American musicians who were ripped off 40 years ago versus the interests of their musical progeny whose sample-based music has been distorted and even outlawed by the same musical corporations that screwed the R&B artists, in the name of defending those artists (!).

Jenkins and Boyle are two of the staunchest defenders of fair use and remixing -- their first comic, Bound by Law, was a kind of Understanding Comics for the legalities of fair use -- and it shows: Theft is as laden with visual, textual and musical references as a Dizzy Gillespie solo, an early Public Enemy wall-of-sound, an illegal Girl Talk mashup.[Read More]

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The Free, by Lauren McLaughlinIsaac West is a mixed-race kid who never knew his dad; he and his sister have raised their alcoholic, abusive mother as much as she's raised them. But Isaac has a plan: his little sister Janelle is smart, better than he'll ever be, and he's going to get her out of their mutual hellhole and into a private school -- and to make that happen, he's graduated from petty theft into grand theft auto, under the supervision of his high-school auto-shop teacher, a cut-rate Fagin who trains and oversees a gang of junior car thieves.

It's this teacher who insists that Isaac should plead guilty to beating a man comatose in a car-heist that went wrong, though the kid who actually did the beat-down was the teacher's cousin, a hulking giant of a kid who has already got a conviction under his belt and faces being tried as an adult if he goes down.

For Isaac, it's an easy choice: spend 30 days in juvie, complete his rehab program, and in return, he'll get enough to send Janelle off to private school. All he has to do is survive, and he's been doing that all his life.

From here, McLaughlin has all the elements for a tight, claustrophobic novel that veers between the terror and camaraderie of incarceration; the brutally honest drama therapy group that Isaac must attend if he's to be released; the mounting danger to his sister and all of the repressed feelings and guilt that weigh Isaac down.

While there's some revenge and redemption here, mostly what there is is unblinking reality, a willingness to confront the impossible without denying it. The kids in Isaac's world are in trouble, and that trouble isn't going to get better for most of them, and maybe not for Isaac. Some of those kids are pretty terrible, but even at their worst, they're still kids, and still rounded people with their own virtues and stories.

I don't know when I've read a more empathic novel, and it's been a long time since I read one that was more sorrowful and joyful at the same time. [Read More]

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The Hardware Hacker: Adventures in Making and Breaking Hardware, by Andrew "bunnie" HuangThe book draws heavily on Huang's own hardware projects, which have included substantial manufacturing in south China, with many hard-won lessons about how things can go wrong and how to make them go right. This is more than a checklist or memoir: it's nothing less than a masterclass in modern manufacturing, and even if you never plan on manufacturing anything, reading these chapters will explain the material world around you like few other texts.

This dovetails neatly into a meditation on the differences between Western and Chinese approaches to "intellectual property" and the way this has informed the manufacturing processes whose outflows are all around us. In these chapters, Huang proves himself to be a thoughtful and incisive critic of law as well as technology, and the thorny questions he raises show up the normal discussion on these subjects up for a shallow scrape over the surface of something deep and difficult.

Huang uses these broad legal and technical passages as a foundation for the second half of the book, which lay out the detective work that Huang did to realize his various hardware challenges, from stick-on soft circuits to an insanely clever device that circumnavigates the law through tight and unsuspected secret creeks that allow him to enter territory that no engineer has ever seen by legal means.

The book concludes with its most speculative and future-looking chapter: a disquisition on the similarities (and differences) between computational bioscience and hardware hacking, based on his work with his "perlfriend" -- his perl-hacking, bioscientist girlfriend -- on hacking genomes. [Read More]

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New York 2140, by Kim Stanley RobinsonIt's 2140 and trillions of dollars' worth of the world's most valuable real estate is now submerged under fifty feet of water, resulting from two great "surges" where runaway polar melting created sudden, punctuated disasters that displaced billions of people, wiped trillions off the world's balance sheets, and turned the great cities of the world into drowned squatter camps.

But it's 2140, and the cities are coming back. The combination of financial speculation, desperate refugees willing to do anything to find shelter, and new technological innovations are spawning "SuperVenice"s where boats replace cars and high-rises connect to each other with fairytale skybridges, and pumped-out subway stations become underwater leisure clubs. No SuperVenice is more super than New York City, where the boats ply midtown Manhattan's skyscrapers and everything from Chelsea down is an intertidal artificial reef where, every now and again, hundreds of squatters die as the buildings topple.

The forces of finance are deeply interested in the intertidal zones. These great cities were once the world's ultimate luxury products and now they're marine salvage, waiting to be dredged up from the tidal basins, dusted off and monetized. Yeah, there's millions of inconvenient poors hanging out in them, but they're a market failure, producing suboptimal rents on some seriously distressed assets that need a little TLC, capital infusion, and ruthless securitization to bring them back.

Robinson is a master of turning stories about zoning disputes and local politics into gripping, un-put-down-able adventure tales (his novel Pacific Edge remains the most uplifting book in my library). New York 2140 is a spectacular exemplar of the tactic: the financial shenanigans form a backdrop for submarine drone-wars, black-ops kidnappings, private security assassinations, non-state actor cyberwar and economic terrorism, buried treasure hunting, and big, muscular technologies from giant dredging barges to aerosolized diamond sprays. [Read More]

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WAKE UP!, by Rick Lieder and Helen FrostLife is a continuing cycle of newness, then growth, and then gone: then birth and growth again. Photographer Rick Lieder started thinking about that theme of new life and new beginnings several years ago, and WAKE UP!, published by Candlewick Press, is the result. Working with his collaborator, poet Helen Frost, our book is about opening eyesour own, firstand pointing to the world thats right here, containing us all. Helen and rick are both based in the US Midwest, so we started there, with a world that we didnt need to travel far to explore, only wake up enough to actually see. [Read More]

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Penguin Galaxy Boxed Set, introduced by Neil GaimanLast October, Penguin released its Galaxy boxed set, a $133 set of six hardcover reprints of some of science fiction's most canonical titles: The Left Hand of Darkness by Ursula K LeGuin; Stranger in a Strange Land by Robert A Heinlein; 2001: A Space Odyssey by Arthur C Clarke; Dune by Frank Herbert; The Once and Future King by TH White; and Neuromancer, by William Gibson.

The series is curated and introduced by Neil Gaiman, whose essay on the charm and value of science fiction appears at the start of each of the handsome volumes. It's a fine essay, placing each book in its historical context, and turning a writerly eye to their construction and techniques, as well as some of the memoir that makes Gaiman essays such fine reads (see, for example, his 2016 essay collection The View From the Cheap Seats).

As nice as that essay is, it's eclipsed by the gorgeous design, courtesy of Spanish designer Alex Trochut, whose impressive CV includes a Grammy nomination for Best Recording Package. Trochut does away with fussy book-jackets and prints his titles straight onto the books' boards in stylized, embossed gold leaf type -- with clever type-art for every cover. [Read More]

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Brutal London: Construct Your Own Concrete CapitalBrutal London: Construct Your Own Concrete Capital tells the stories of nine of London's greatest brutalist structures (with an intro by Norman Foster!), including the Barbican Estate, Robin Hood Gardens, Balfron Tower and the National Theatre -- and includes pull-out papercraft models of these buildings for you to assemble and display. [Read More]

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SHADE THE CHANGING GIRL v.1: Earth Girl Made Easy, by Cecil CastellucciLoma Shade, as her own unique character, was a way of being steeped in the world of Shade the Changing Man, while being its own thing. Some people say that Shade the Changing Girl seems to be a direct sequel of the Milligan run. I say not so. Ive always approached it as a kind of side-quel. Creator Cecil Castellucci wanted to take care to have nods and echoes to them both, but to be able to stand narratively on its own. It was a way of striking out in a new direction while plucking elements from the Ditko original and the Milligan run.

Our Shade the Changing Girl is a way of changing the changing.

The body of a teenage girl was a great place to start that change. The body of bully was the way to take it to the next level. The idea of a real alien, who moves like a bird in human form was the best way to express it. Add in Marley Zarcones wongld. They are blooming and bursting with feelings and big body changes. They are confident and awkward. They are experimenting with identity. They are constantly changing.

When we are teenagers, we are figuring out how to become who we are. To throw down and figure out what it really means to be human and to break free from our parents and to think for our selves. This is why Castellucci loved writing Shade, because as an alien, she mirrors our own growth in this world. She can see the quotidian with eyes that we cant see the world with. She has to figure out how to transform herself from who she was to who she isnt. And through her we dive deep into her attempts to discover the meaning of humanity. Loma Shade is changed profoundly by being this mean girl and having to navigate the fall out of living in Megans body and in her world. [Read More]

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Paper Girls 1, 2 and 3, by Brian K Vaughanhttps://boingboing.net/2016/12/14/brian-k-vaughan-and-cliff-chan.html https://Paper Girls stars an all-girl cast of newspaper delivery kids for a fictional Cleveland newspaper, circa 1988 -- they are instantly and wholeheartedly likable, like the Goonies or the cast of Stranger Things. They convene on November 1, when the mean teenagers of Cleveland are still out an about and making mischief, picking on the likes of them, and they band together in mutual self-defense.

Then things get weird.

The girls are assaulted by a group of costumed teens, who rip off a Radio Shack walkie-talkie that one of them saved for months to buy. The girls chase down these goons, ending up in a partially built house, whose basement holds a spaceship of some kind, or maybe it's a time-machine -- and after a flash and a bang, they emerge to a transformed neighborhood, overcast with a tornado out of which flap huge, monstrous dinosaurs ridden by lance-wielding, argot-speaking warriors who kill and kidnap all they meet.

Before long, the girls are hurled into a mystery tale of Vaughnian complexity, chased through time and space, meeting ambiguous heroes and villains, including several who may be clones of them -- or older versions, or neither. (Don't foreget books Two and Three) [Read More]

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Bitch Doctrine: Essays for Dissenting Adults, by Laurie PennyIf you've followed Penny's work, you'll know that the thing that sets her apart from other enraged columnists is her empathy: her ability to understand the self-serving rationalizations, radioactive bullshit, and emotional damage that drives men to threaten her with rape and murder for pointing out that things aren't exactly fair.

But while Penny is perfectly capable of understanding her ideological opponents -- better than they understand themselves, without a doubt -- she doesn't offer them any sympathy. This sympathy -- no less well-informed, no less analytical -- is reserved for people who are getting the shittiest end of the stick: trans people, people of color, poor people, disabled people, other women. Even when she feuds with them, even when she is laid low by anger from her allies, she does the hard work to look past her own hurt feelings, to the missteps that let her to a place of conflict.

Penny is a bridge between two modes of political writing, a hybrid that gets the best of both and offsets their deficits: on the one hand, she's clearly in the Hunter S Thompson gonzo tradition (her adventures running down violent neo-Nazis in Greece are a match for anything HST wrote about Hell's Angels or police detective conventions); on the other hand, she's got the scholarly habit of finding and presenting an issue from every side, even the ones she disagrees with. But while the gonzos reduce their opponents to caricatures, and while scholarly work can dissolve the point of view into a view from nowhere, wishy-washy and free from any kind of thesis or real muscle, Penny is able to forcefully convey her point of view, and back it up by showing that she understands exactly what her opponents are thinking, and why, precisely, they are full of shit. [Read More]

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Lizard Music, by Daniel PinkwaterLizard Music is a novel about Victor, a kid who falls asleep while doing a model airplane and wakes up when the local TV station is going off the air, who discovers that the true late-night programming comes from humanoid lizards who live in a secret nearby volcano and worship Walter Cronkite.

Victor travels to the land of the lizards with the Chicken Man, a recurring Pinkwater character: a kind of hobo figure whose pet chicken is wise beyond her years and dander. What happens next will... Well, it will make you weirder.

No author has ever captured the great fun of being weird, growing up as a happy mutant, unfettered by convention, as well as Pinkwater has. When I was a kid, Pinkwater novels like Lizard Music made me intensely proud to be a little off-center and weird -- they taught me to woo the muse of the odd and made me the happy adult I am today. It's one of those books that, in the right hands at the right time, can change your life for the better and forever. [Read More]

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Landscape With Invisible Hand, by MT AndersonIn 2002, MT Anderson blew up the YA dystopia world with Feed, his zeitgeisty, prescient novel about "identity crises, consumerism, and star-crossed teenage love in a futuristic society where people connect to the Internet via feeds implanted in their brains" -- in his latest, Landscape with Invisible Hand, Anderson takes us to a world where neoliberal aliens have sold Earth's plutocrats the technologies to make work obsolete and with it, nearly human being on earth.

Now we all have to live with that reality: former superstar luxury car salesmen, bank tellers, teachers, programmers -- everyone except for a tiny elite of financial engineers, really -- have been replaced by technology sold by the vuuv (that's the alien race) to the world's 1 percenters when they inducted the human race into the galactic prosperity sphere.

Landscape is told as a series of acerbic, short vignettes -- latter-day Douglas Coupland riffs -- in the voice of Adam, a teenager living in a rotting suburban home amidst the remains of his rotting suburban life, scrounging for rice and beans and painting, painting, painting, the only escape he has. Each chapterlette opens with Adam describing a painting that sets the scene, part of the blasted, wasted dystopia that 99% of the human race lives in while sneering aliens and financial executives tell them to pull themselves up by their bootstraps, get jobs, and stop looking for handouts. [Read More]

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The Power, by Naomi AldermanIn The Power, a day dawns, not so long from now, in which every 15-year-old girl finds herself with the power to deal out electric shocks, emanating from an unsuspected organ called "the skein," which rests along the collarbone. What's more, any woman can do the trick, once a 15 year old shows them how.

Chaos. Glorious chaos.

The world's sex-slaves kill their pimps. The women of Saudi Arabia foment revolution. Women whose husbands beat them strike back. Girls whose fathers rape them find themselves able to defend themselves -- with lethal force, if it comes to that.

Concerned parents ask to have their boys separated from the vicious girls who stalk them through school. Mean girl cliques take on a new, deadly overtone. Law and order teeters.

Against this background, a cast of characters: Roxy, the daughter of a ruthless British gangster; Joc, the daughter of an ambitious midwestern politician; Allie, a much-abused foster kid whose foster father has a surprise in store for him, and Tunde, a Nigerian lad whose workshops of storytelling through digital photography just took on a new significance.

Through these characters, a plot as intricate and fast moving as any thriller, with lots of grace notes and seeming detours that converge with the main storyline, giving it energy and velocity.

And throughout, when you're finished, the realization that there was so much more going on, stuff I can't discuss without spoilers -- a story within the story that is chilling, thrilling, disturbing. [Read More]

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Archangel, by William GibsonFrom the start of its run in 2016, Archangel went from strength to strength, packing in so many goddamned O.G. cyberpunk eyeball kicks per page that it felt like some kind of cask-strength distillation of all the visual and action elements that gave the original mirrorshades stuff its dark glitter.

Now that the comic's run is done, the five-issue tale is revealed as a masterful, beautifully plotted war story set in three different wars: WWII as we know it, WWII as it might have been, and a distant all-out nuclear conflagration that may or may not have been an inside job.

This is a time-travel story, but it's one that sets out to break the genre's conventions: it opens with the ruthless son of America's power-grabbed president-for-life traveling back to Berlin at the end of WWII to murder his grandfather and take his place. Take that, grandfather parodox.

Hunting the president's son and his goons is "The Pilot," a USAF ninja in a camouflage suit who must prevent Junior from destroying another world without giving Junior the chance to detonate the belly-bomb all US armed-forces members must have implanted when they enlist. Thankfully, it has a 30 foot range.

Archangel is visually stunning, with all the dark romance of war-torn Berlin as a setting: deviant cabarets, black marketeers' dens, chop-shops, makeshift Soviet command-posts and secret airfields. Then there's the futuristic world of Junior and the president, seen in a cramped bunker in which a rogue scientist is scrambling to support The Pilot from the distant future and a different timeline. [Read More]

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Vacationland: True Stories from Painful Beaches, by John HodgmanMy first impression of Vacationland was that I'd found a modern version of Steve Martin's classic Cruel Shoes. Hodgman is so very witty, and as he sets up his memoir -- the story of how he was a weird kid raised by loving but largely unconcerned parents -- he has so many tinder-dry asides and beautifully turned sentences and jokes with long fuses that unexpectedly detonate paragraphs later that I was really getting ready to relive my own childhood.

Right as I was getting comfortably settled into Vacationland, I discovered that Hodgman had smoothly transitioned me into some really profound emotional truth -- it's where he starts talking about his mother's untimely death and how he reacted to her terminal illness -- and then back into that dry, comedic mode, slipping the knife in and pulling it out so smoothly that I hadn't even noticed until the blood started to drip. That kind of maneuver requires both a steady hand a very sharp knife, and Hodgman has both.

This sneaky book pulls that move over and over, using comedy and narrative confidence to make important points about privilege, self-delusion, parenting, death, birth, cities, alienation, love -- the whole gamut.

All without ever losing the comedy, which is funny stuff, and it's not a spoonful of sugar that helps all that serious medicine go down, it's perfectly blended into those serious themes.

This isn't a book like Cruel Shoes: it's the book Cruel Shoes g

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